Mise-en-scene, mise-en-scene, mis-en-scene, isn't that a mouthful? It almost sounds like a tongue twister, and it certainly can make my head fall into quite a frenzy. I have an idea on the type of color scheme I want my film to consist of, but I am uncertain as to how I can pull this off without weather interruptions or lighting issues. There is nothing bright and sunny about a race war, so the ideal outdoor environment I could possibly ask for is gloomy and overall cloudy. This being said, rain would ruin my production and would not be the ideal situation that I could be put in. I touched on this in an earlier blog posting, but ultimately I am hoping for a dull outdoor scene in order to pull together the dull colors of the rest of the film. I want my characters to be wearing dull colors as well, but I want their antagonists to be wearing brighter and noticeably cleaner apparel. This contrast should be noticeably different on screen and is meant to draw the audiences...
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Hello my name is Natalia Munoz and here I am at the end of my production. It wasn’t an easy road, but I have successfully created my film opening for 2060. That’s right I’ve finally come up with a finalized title! It’s about time am I right? This process wasn’t easy and I am grateful that I have gotten to the finale. As I have recounted throughout this process with updates on my blog, 2060 is about a dystopian race war that takes place in the future year of 2060. It follows the stories of 3 young girls from different backgrounds and ethnicities on the run from one of their enemies. It didn’t initially start this way though. I had the idea to create a horror based movie, but as time went by this evolved into creating a dystopian film. I had taken inspiration from the film Get Out as I wanted to find a way to incorporate race into the horror genre much like how Jordan Peele managed to capture his vision on screen. I wanted to bring the fears people of color face on the daily to life by d...
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